Alfred Newman grew up poor in the early part of the 20th century, and like many poor but creative immigrants at that time, wound up migrating to vaudeville and then the film industry. He wrote his first full film score for Street Scene in 1931, which was the start of a 40-year career in the movies. While he wrote original music for notable movies such as The Prisoner of Zenda, Dodsworth, and Gunga Din, he was best known for his adaptation of music from Broadway musicals, winning an Oscar for his musical adaptation for The King and I in 1956. Alfred's score for How the West Was Won was ranked by the American Film Institute as the twenty-fifth greatest American film score ever composed (you can hear the wonderful western overture from the film here: http://www.youtube.com/watch?v=sXPFuXfAmbI ).
Randy Newman grew up in L.A. in the 1940s and 50s, and released his first single at age eighteen in 1961. It was not successful, so he began his early career as a songwriter for other artists. Gene Pitney, Jerry Butler, and the O'Jays all recorded his songs, but he didn't receive much notoriety until Harry Nilsson recorded his album Nilsson Sings Newman in 1970. The success of that album paved the way for Newman to release more of his own work, which was critically successful and spawned many covers of his songs, but it was his song Short People in 1977 that infamously put him on the map. In the 1980s, Newman began doing more of the film work that he had started in the 1970s, notably writing scores for Ragtime and The Natural. Randy worked on many successful films in the next twenty plus years, but it is his work on the movie Toy Story that is the most instantly recognizable, especially the song You've Got a Friend in Me . Toy Story very naturally matched the playfulness, quirkiness, and touch of melancholy of Randy's music to the story of the film. (For me however, the film I most associate with Randy's music is the goofy Major League, because of the use of Randy's Burn On in the opening credit sequence.)
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